Wendy Miner

- Founder -

 Co - Director






Andrea Basile

Co - Director


Ballet, Pointe, Pre-Pointe, Cecchetti, Jazz, Lyrical, Technique Integration,

Mommy+Me, and Private Coaching


Wendy Miner is passionate about sharing her love for dance and imparting a disciplined desire for

excellence in dance to each of her students. Wendy began her study of dance at the age of three under

the instruction of Karen Alwin. Under Alwin’s mentorship, Wendy grew up as a member of The Performers

Ballet & Jazz Company, gaining pre-professional performance experience and training. During her teen

years, Wendy began teaching and coaching rehearsals and performed leading roles in

Performers’ productions.

Wendy went on to study ballet at both the University of Utah and Chicago Ballet and studied jazz at Lou Conte’s school in Chicago and EDGE Performing Arts Center in Los Angeles. Wendy danced with companies in Chicago, Los Angeles and Albuquerque, including Touch Dance Ensemble and Luis Fuente Ballet New Mexico.  She also performed commercially across the country in corporate trade shows, videos and commercials. Wendy was groomed as a teacher under the tutelage of Karen Alwin. She has taught for over 25 years in numerous studios in New Mexico, Utah, Chicago and California and was a summer faculty with Lines Ballet School.

Wendy earned a Bachelor’s degree in Psychology from The University of New Mexico with additional studies in biology and nutrition.  Wendy is a Licentiate Member of the Cecchetti Council of America and carries her Teacher’s Certification for Cecchetti grades I-VI, as well as her student certifications. She is currently training and studying for certification in Cecchetti Advanced (grade VII).

In 2010 Wendy was appointed Artistic Director of Albuquerque’s pre-professional training company, The Performers Ballet & Jazz Company, where she directs dance performance and educational programs for 65+ aspiring, young dancers. In addition to teaching, Wendy is an accomplished choreographer and has commissioned full length productions for dance companies & casinos. Her choreography has twice earned the National Merit Award in the AG Fine Arts competition as well as achieved high scoring at YAGP and other competitions.

Having two decades of teaching experience and being pulled by a sense of purpose to impart the joy, discipline and direction of dance education into young lives, in 2014 Wendy opened Magnify Dance Center. Magnify’s mission is to nurture students to achieve their fullest potential as well as to positively impact our community through artistic integrity. Wendy has cultivated a top-notch and well-rounded Faculty who make Magnify a place to lovingly guide, inspire, teach and shape its students toward their personal best.

Wendy and her husband Allen are the proud parents of three children.


Ballet, Cecchetti Technique, and Private Coaching

Karen Alwin has taught dance for more than 50 years. She was the founder and owner of Alwin School of the Dance (1975-2010) and the founder of The Performers Ballet & Jazz Company. Ms. Alwin is a member of Dance Masters of America, Cecchetti Council of America, and Chicago National Dance Masters. Ms. Alwin holds a teacher’s certificate for Primary-Intermediate Professional grade for the Cecchetti Method through the Cecchetti Council of America. She is dedicated to the love and discipline of classical ballet and utilizes her expertise and decades of experience to grow and advance each of her students. Ms. Alwin is responsible for the training and love for dance instilled in hundreds, if not thousands, of dancers, including every other Magnify Faculty (with only one exception). Magnify is proud to carry on Ms. Alwin’s strong sense of discipline and respect for the art of dance as well as her high technical standard and expectation. Our 2018 Showcase, The Golden Years, A Tribute to Karen Alwin, will remind audiences of the enormous impact Karen Alwin has had on the dance world in the state of NM and beyond.


Ballet, Pointe, Contemporary, Jazz, Technique Integration, Pre-Pointe, Five Point Fit,

Hip Hop, and Private Coaching.

Andrea Basile is a native of Albuquerque, NM.  Ms. Basile began training under the direction

of Karen Alwin and Lynn Cox and to this day works very closely with them on training pre-professional

dancers in NM and CA. Ms. Basile continued her training at the San Francisco Ballet School before

starting her professional career. She is a dancer, teacher, choreographer, photographer, and most

recently founded The Five Point Dancer Theory as an online resource to advocate for the wellness of

young dancers. She moved to San Francisco after high school and continued to have a 20 year

professional dance career in the Bay Area. Through many years of experience as a dancer, she has

become passionate about building a solid foundation of support and informative guidance for the

next generation of dancers who wish to reach their maximum potential. She moved back to

New Mexico in 2015, is Co-owner of Magnify Dance Center, Artistic Director of Magnify Dance

Ensemble, and continues to teach and choreograph for Marin Dance Theatre, in CA. 

Ms. Basile has performed with several dance companies, including The San Francisco Ballet, ODC Dance, Alonzo King’s LINES Ballet, Kate Weare Company, Amy Seiwert’s Imagery, Smuin Ballet, The Lawrence Pech Dance Company, and The Foundry.  Ms. Basile’s performance highlights include classical and contemporary works; Allegro Brilliante (Balanchine), Glass Pieces (Robbins), La Bayadere (Petipa), Etudes (Lander),Othello (Lar Lubovitch), Swan Lake (Tomasson), the premier of Mark Morris’Sandpaper Ballet, The People of The Forest Project (Alonzo King’s LINES Ballet), Drop Down (The Kate Weare Company), It’s Not a Cry (Amy Seiwert’s Imagery), and more. Founder and Artistic Director of LINES Contemporary Ballet, Alonzo King, choreographed Pas for Ms. Basile and Homer Avila which premiered with Axis Dance Company, toured across the United States, and was featured on the cover of Dance Magazine.

Ms. Basile’s teaching career spans 23 years. She teaches ballet, pointe, jazz, hip hop, contemporary ballet, improvisation, and composition. Ms. Basile has been an instructor at many dance schools, including Alwin’s School of the Dance, LINES Ballet School, San Francisco Conservatory of Dance, Cincinnati Ballet Academy, Marin Ballet, Marin Dance Theater, the ODC School, and now Magnify Dance Center. She has taught for professional companies such as: ODC Dance, Smuin Ballet, Amy Seiwert’s Imagery, and Robert Moses’ KIN. Ms. Basile served as a choreographer’s assistant to Marc Brew, a leading choreographer from the UK, and Ballet Mistress for AXIS Dance Company.  During her time in San Francisco, Ms. Basile worked under the mentorship of two top dance photographers and began to photograph for different dance companies and performers. She then became the photographer for the San Francisco Ballet for three years before returning back to full time dancing and to this day continues to photograph for dancers and dance schools in New Mexico.

Ms Basile has choreographed solos for numerous dance competitions, including YAGP and the Cecchetti International Ballet Competition. Her choreography has also been featured in many showcases and summer intensives of pre-professional ballet schools. Within the past four years she has had the opportunity to choreograph at Marin Dance Theatre, where she creates several new works per year on their top pre-professional students.

Ms. Basile has furthered her education by becoming a Certified Personal Trainer and believes that dancers are athletes as well as artists, which has become a major part of the creation of the Five Point Dancer Theory. This multifaceted program works with students to create a more mindful and well rounded dancer through workshops, online resources, and services offered by highly certified health professionals. She brings all of this knowledge and experience together to share her passion for dance with others and to continue to help each dancer she works with reach their maximum potential.


 Jazz, Ballet, Mommy+Me, Tap Private Coaching

Karroll Candelaria-Bauer is an Albuquerque native and a recent EMBA graduate from Anderson

School of Management at UNM.  She received most of her extensive dance training right here in

the Land of Enchantment under the direction of Karen Alwin, Suzanne Johnson, Kay Windsor Brooks,

Bill Evans, Lana Kroth, Eva Encinias, and David Chavez.  In addition, Ms. Candelaria-Bauer has

studied dance in New York City, Los Angeles, San Diego, Las Vegas, Michigan, and San Francisco.

She has performed as a principal dancer for the New Mexico Ballet Company, the Performers

Ballet & Jazz Company, and Festival Ballet Albuquerque.   Karroll’s adventures as a professional

dancer include featured roles at Sea World of San Diego, Princess Cruises, and numerous

Commercial, TV, and movie appearances.

Ms. Candelaria-Bauer has been teaching Ballet, Cecchetti, Tap, Jazz, and Tumbling for 37 years

in Albuquerque, San Diego, and Los Angeles.  She has choreographed and produced dance

productions, award winning competition pieces, and musical theater shows throughout the country. 

Karroll currently teaches musical theater, tap, and jazz for Albuquerque Academy’s Think Summer

program, hip hop, ballet, jazz, and tap for Manzano Day School’s Sensations program, and offers private coaching sessions for competition pieces and individual improvement in ballet, tap, jazz, hip hop, and tumbling.  Her passion for sharing the love of dance is never-ending and she is proud to say that many of her former students are now dance teachers, dance studio owners, or professional dancers themselves.  In her spare time, Ms. Candelaria-Bauer works at Manzano Day School as the Development Assistant.



Primary & Junior Ballet, Jazz, Cecchetti, Technique Integration, and Adult Ballet

Kara Schubert Carroll began her dance training at age three with Karen Alwin. She joined The

Performers Ballet & Jazz Company at age 7, and performed in Christmas Joy, summer intensives,

showcases, and summer workshops around the country until she graduated from high school. She

taught dance off and on  at various studios in Oklahoma and Arizona while in college and grad

school, and began dancing regularly at Magnify after returning to Albuquerque in 2013. Kara is

currently pursuing her Teacher’s Certifications for Cecchetti Technique.

Kara holds bachelor’s degrees in history and Spanish from Oklahoma State University, and earned

her Ph.D. in history from Arizona State University in 2009. She taught history at ASU for four years

after graduation, and was thrilled to be able to move home to Albuquerque in 2013 after landing

her dream job as a history instructor at Central New Mexico Community College. She and her

husband Shiloh are the proud parents of two daughters, who love dancing at Magnify almost as

much as their mother.


Ballet and Jazz 

Joanna Harbaugh has a deep passion for the art of expression through dance. For the past twelve

years, she has been sharing her love of dance with students from preschoolers to high school age.

Joanna began her study of dance at the young age of four years under the expert instruction of Karen

Alwin in Albuquerque, New Mexico. At eight years old, Joanna became a member of The Performers

Ballet & Jazz Company, dancing in Performers productions, including Christmas Joy and Spring Jazz

showcases. In addition, Joanna trained and danced with Touch Dance Ensemble until graduating high


Joanna continued to pursue her career in dance instruction through teaching ballet, tap, and jazz for

Alwin’s School of the Dance in Albuquerque. In addition, she began working  as a rehearsal director for

The Performers Ballet and Jazz Company. Joanna  teaches classes for The Performers Summer Intensive

workshop, as well as various company classes. In 2006, Joanna became the Stage Director for The

Performers annual production of Christmas Joy. With her great love for teaching, Joanna went on to study Elementary Education at the University of New Mexico, where she graduated with honors. She is currently teaching first grade for Albuquerque Public Schools.


Ballet, Modern, and Contemporary

Layla Amis, a native of Florida, attended New World College of The Arts in Miami on full

scholarship. She continued her education in Chicago, training with Biruite Barodicaite,

Anna Czaun, Jonathan Levy, Elana Anderson, Kevin Iega Jeff, Hubbard Street Chicago

and on full scholarship at Gus Giordano Jazz Dance Center. Layla has danced

professionally with New World Modern Dance Company, the Lyric Opera of Chicago,

and as a principal dancer with Deeply Rooted Dance Theatre, the Gail Gilbert Dance

Ensemble and Moving People Dance Santa Fe. She has performed works by Mia

Michaels, Kevin Iega Jeff, Gary Abbott, Tomi Paasonen, Gail Gilbert, Robert Moses,

Nora Reynolds, Raoul Trujillio, Kevin Wynn and Sam Watson.


In 1998 Layla moved to Santa Fe, NM and served as Artistic Director for Dance Arts Los

Alamos for two years.  In 1999 Layla co-­‐founded Moving People Dance Santa Fe,

a non-­‐profit professional contemporary dance company and school. Layla served as School Director and co-­‐Artistic director for Moving People Dance Santa Fe for five years, teaching ballet, modern dance technique and repertoire, as well as producing, directing and choreographing for over 20 pre-professional and professional productions.  In 2005 Layla accepted the position of School Director for Alonzo King’s LINES Ballet in San Francisco. During her time at LINES Layla helped build the LINES Ballet Summer Program to one of the premiere Summer Intensive programs in the country, along with creating a Year Round Training Program for young pre-professionals and “Discovery Project”, a national outreach program. In 2009, Layla returned to New Mexico to serve as Executive Director for Moving People Dance Santa Fe. Layla also served as Dance Director and adjunct faculty for Santa Fe University of Art and Design. Currently, Layla is the co-founder and director of Modas Dance, an organization that produces workshops and intensives nationally and internationally, She continues to teach and choreograph for various dance organizations nationally and internationally.



Ballet, Pointe, and Private Coaching

Lynn Cox studied under such noted teachers as Erik Bruhn, Francoise Martinet, Alfonso Cata and Robert Barnett. She was recognized by the National Federation of Music Clubs and received the first place honor in their ballet division. Ms. Cox went on to dance professionally with the Atlanta Ballet for several years, performing such classics as Serenade, Sleeping Beauty, Carmina Burana, Raymonda, Allegro Brilliante and The Nutcracker. She previously held the position of Ballet Mistress for two regional companies and was the Pre-Professional Division Head for the Marin Ballet. She is currently the resident choreographer and Associate Division Young Dancer Division Head at Marin Dance Theatre. Ms. Cox is a vital part of MDT’s training program. She is skilled as a teacher on all levels: she now oversees and trains the faculty, with Mrs. Bassing, creating an atmosphere for all the dancers that is both developmental and consistent. She has received numerous awards for her outstanding choreography.


Ballet, Pointe, Jazz, Five Point Fit

Natalia Ruiz began her training with Ms. Karen Alwin and Wendy Miner at age three. She was

privileged to dance with The Performers Ballet & Jazz Company for 11 years, performing special

roles in Christmas Joy, How Love Wins and other productions. She has also had the opportunity to

dance for other companies, performing in productions such as Le Corsaire, Serenade, Valse Fantasy, 

Don Quixote, Nutcracker, and other contemporary productions. Natalia has had significant training

from companies nationwide, such as American Ballet Theater, Miami City Ballet School, Santa Fe

Ballet and Ballet Magnificat, with reputable instructors including Jerri Kumery, Igor Antonov, Franco

De Vita, Louis Fuentes, Jose Manuel Careño,  Phillip Neal, Cecille Tuzi, and many others. In 2014

Natalia was given the opportunity to dance as a trainee with the Richmond Ballet Company in

Richmond, VA. Her experiences have grown her in so many ways and she feels privileged to be

part of such a wonderful form of art education.

Carollina Valverde 

Ballet, Pointe, Variations

Carolina Valverde is a New Mexico native and began her dance training under Ms. Karen Alwin at the age of seven. She trained in ballet, jazz, and contemporary, and received her student certifications for the Cecchetti Method Grades I-VII by the age of 14. Very early on Carolina felt a passion for dance and performing and joined the Performer’s Ballet & Jazz company in 2008. While in the company, Carolina performed lead roles in various productions such as Christmas Joy, How Love Wins, and Project Jazz. Receiving incredible training during the summer workshops at Magnify Dance Center from teachers including Wendy Miner, Andrea Basile, Luis Fuentes, Catherine Batcheller, Joanna Berman, and Lee Wei Chao, Carolina was inspired to explore more of what the dance community had to offer. Carolina traveled to Marin Dance Theater with a full tuition scholarship, where she spent two summers (2014, 2015) training with Lynn Cox and Margaret Swarthout.

In 2017, Carolina auditioned for and attended the Houston Ballet Summer Intensive program to which she received a full scholarship. Carolina was infatuated with this new world of ballet she had come to discover and was offered a full scholarship to train at Stanton Welch’s Houston Ballet Academy year round. With the support of her family and dance teachers, Carolina felt it was the right time to further her dance education and moved to Houston, Texas, where she progressed through the Professional Program at HBA to the status of Invited Guest of Houston Ballet’s second company, HBII. Carolina trained with Stanton Welch AM, Claudio Muñoz, Vicki Attard, Melissa Bowman, and Cherynne Busch. In her three years in the prestigious academy, Carolina performed both classical and contemporary works which are widely known throughout the country and across

the globe. Some of these works and roles include Swan Lake, Raymonda, La Bayadère, by Stanton Welch, Red Riding Hood from Claudio Muñoz’s The Sleeping Beauty, a solo from The Ladies by Stanton Welch, Moyna from Stanton Welch’s Giselle, the Sugar Plum Pas de Deux from The Nutcracker, and Molto Espressivo by Ilya Kozadeyv. Carolina also performed alongside the Houston

Ballet company in numerous productions, which she enjoyed very much. Carolina will continue her education at The University of New Mexico, where she will study Exercise Science in hopes to one day become a physical therapist. She is very fortunate that ballet helped her develop

determination, discipline, and passion, not only in ballet but in everything she does and cannot wait to share her love of dance with her students.

Lauren Maddock

Ballet, Pointe, Jazz, Technique Integration

Lauren started pursuing her passion for dance at the age of three. She began training under Karen Alwin, at the Alwin School of Dance in 2013, and joined the Performers Ballet and Jazz Company in 2014. Lauren completed testing for Cecchetti I-VII in the fall of 2018 under Karen Alwin and Wendy Miner’s guidance. Throughout the past 7 years Lauren has been involved in Christmas Joy, How Love Wins, Spring Gala, showcases put on through Magnify Dance Center, and was a part of the rehearsal process for the Dancer Initiative Project and Dance For a Wish:Magnify Showcase 2020 this past year. For the past 3 years Lauren was chosen and represented the company as a leading soloist. Lauren has attended The Performers Ballet and Jazz Company Summer Intensive for many summers, where she has received training from prestigious teachers such as: Lee Wei Chao, Lynn Cox, Joanna Berman, Amy London, Ben Needham- Wood, Jo Bolden, Christina Woodward, Kevin Jenkins, Todd Wilson, and others. In 2017, Lauren attended the very first Five Point Dancer intensive led by Andrea Basile, which introduced her to how she could become the best version of herself. Lauren attended The Jillana School in Taos, New Mexico during the summer of 2015, and trained under Jillana herself, where she learned numerous variations and performed part of the well-known and beautiful ballet Serenade. In the summer of 2018, Lauren traveled to Marin, California to attend the Marin Dance Theatre summer intensive on scholarship, where she trained under Lynn Cox, Margaret Swarthout and the other renowned faculty members. Lauren attended Modas during the summer of 2019 at the University of New Mexico, and trained under Layla Amis, Elana Anderson, Vladimir Conde Reche, and was selected to be in a set piece of repertoire choreographed by the prestige Yin Yue. 


Lauren recently graduated from Saint Pius X High School, with first honors and belonged to the National Honor Society. Lauren will be attending the University of New Mexico in the fall and is excited for what the future holds. Dance has truly helped shape the woman she has become, and is beyond blessed and excited to share her tremendous love for dance with the next generation of students. 


Lindsay Dekleva

Ballet, Pointe, Contemporary, Modern

Lindsay began her dance education at age 7 in her hometown of Albuquerque, New Mexico. She attended summer intensives at Houston Ballet, American Ballet Theater, Indiana University, and the Cecchetti Council of America. After graduating from high school, Lindsay trained on full scholarship at Marin Dance Theater with Margaret Swarthout and Lynn Cox. She then danced with the Kansas City Ballet as a trainee/second company member, performing in Devon Carney’s world premiere of “The Nutcracker” and “Swan Lake,” as well as many other works.  


Lindsay spent three seasons performing with Ad Deum Dance Company, a professional modern/contemporary dance company in Houston, TX. She trained extensively with seasoned artists Randall Flinn, Steve Rooks, Durell Comedy, Alicia Graf Mack, Richard Bowman, Steve Brule and others; performing works in Graham, Limon, and Horton styles as well as contemporary ballet. As a principal dancer with the company, Lindsay performed and taught across the United States and Europe. She has danced as a guest artist with The Performer’s Ballet and Jazz Co., Friendswood Contemporary Ballet, and Zion Dance Project. Lindsay is currently a senior pursuing a degree in Worship Studies from Liberty University. She is passionate and excited about sharing her love and knowledge of dance with the next generation.



Primary Ballet, Mini Movers, Junior Ballet, Technique Integration


Jadyn Jameson began her dance training at the age of three and has been pursuing her passion ever since.  She joined Magnify Dance Ensemble (formerly The Performers Ballet & Jazz Company) in 2016, dancing in Christmas Joy and How Love Wins.  She trained in all forms of dance, but she especially enjoys classical ballet and jazz, and Jadyn benefited from the excellent tutelage of the Magnify directors and staff.  After graduating from Magnify's Teaching Intern Program in 2019, Jadyn shares her love of dance with and encourages the next generation of young dancers.



Primary Ballet, Junior Jazz, Five Point Mini Fit, Technique Integration


Jayden graduated from Magnify’s Teaching Intern program in 2019, through which she further developed her technical training as well her leadership. Jayden is the oldest of seven siblings, and she has a passion and love for children and babies. This is evident in the dance classroom! Her own dance experience as well as her love for fitness inspire her teaching. Her warm, nurturing spirit and gentle leadership guide her students to new learning and a love for dance.